Aplicaciones anidadas

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Cómo hacer cosas con...

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"How to do things with..." is a program that addresses the relationship between heritage and contemporary creation. The title of the program refers to How to do things with words (J. Austin, 1962), the work that inaugurated the concept of "performativity".

From the hand of musicians, choreographers, researchers and artists, cases of transformation or updating are addressed, showing the performative presence of cultural heritage in contemporary creation."

On this occasion, the cycle consists of three events:

- How to do things with Officium Defunctorum by Tomás Luis de Victoria, September 15th
- How to do things with Roberto Gerhard's "La noche de San Juan", October 15th
- How to do things with Poems, October 28th

If the capacity is full, please sign up on the waiting list. Invitations not withdrawn will be distributed 30 minutes before the meeting. 

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Session 1:

CHCC...Officium defunctorum by Tomás Luis de Victoria

Wednesday, September 15, 2021, 19h.
Classroom 2
Free admission with invitation.

FULL CAPACITY.

Waiting list Invitations not withdrawn will be distributed 30 minutes before the meeting.


Albert Recasens, ICS researcher, musicologist and expert in forgotten musical heritage, and Pablo Martín Caminero, double bass player and jazz composer, talk about the collaboration sponsored by the choreographer and producer Antonio Ruz, in which Caminero has created a musical piece based on the historical recovery and recording of the Oficio de Difuntos (Office of the Dead ) made by Recasens.

Two visions and two different processes put in dialogue thanks to the vision of Antonio Ruz, which have given rise to the musical basis of the piece In Paradisum, which will be performed at the MUN Theater on September 16 by the National Dance Company.

 

Albert Recasens


Musicologist, writer, researcher and performer trained at the conservatories of Barcelona, Bruges and Ghent. A musicologist with a doctorate from the University of Louvain, he has taught at several Spanish universities. Since 2005 he has been dedicated to the recovery and dissemination of the forgotten musical heritage from the ensemble he founded, La Grande Chapelle, and the record label Lauda, with editions that are the result of rigorous research that have earned him the respect of the public and the specialized critics, and which have won him numerous awards.

 

Pablo Martín Caminero


Double bassist trained at the Vienna School of Music, he is a performer, composer and producer characterized by the diversity of genres and styles (flamenco, jazz, classical, baroque...), of which he has recorded six albums to date. As a double bass player he develops in quintet a repertoire of his own compositions based on flamenco and jazz. Prior to In Paradisum, he has collaborated with Antonio Ruz as a performer in Double Bach and as a symphonic composer in Electra.

 

 

 

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Session 2:

CHCC... The Ballet "The Night of St. John" by Roberto Gerhard

Friday, October 15, 2021, 19h.
Classroom 2

Ticket with invitation.
Pre-reserve your invitation and pick it up at the box office up to half an hour before the event.

 


The ballet La noche de San Juan, to be performed on October 16 at Museo Universidad de Navarra, was conceived in the 1930s for the Ballets Russes de Monte Carlo company, but the Spanish and European war period frustrated its premiere.

Miguel Ángel Marín, who has directed its recovery from the Fundación Juan March, Antonio Ruz, creator and director of the new production, and Miguel Baselga, who will perform Gerard's score on piano, will discuss the process of recovery and staging of a dance piece never performed and the limits between historical interpretation and creative development.

Miguel Angel Marin


Miguel Ángel Marín has been director of the Music Program of the Fundación Juan March since 2009. 

He has developed a rich career as a researcher, teacher and lecturer, he is currently a professor at the University of La Rioja and Principal Investigator of the research group "MECRI. Music in Spain: composition, reception and interpretation".

 

Antonio Ruz


Antonio Ruz, choreographer, National Dance Award in 2018, has been part as a dancer of the Ballet of the Grand Théâtre de Genève, the Lyon Opera Ballet and the National Dance Company. He is a regular collaborator of the Sasha Waltz company. He has presented at the MUN, Double Bach, Present, Transmutation - the fruit of an artistic residency of creation at the Museum - and Signs.

 

Miguel Baselga 

He is one of the most promising Spanish pianists of his generation. Of Aragonese origin, but born in Luxembourg in 1966, he graduated from the Belgian Conservatory of Music in Liege and with Eduardo Del Pueyo until the death of this Spanish pianist, in his career as a soloist he stands out in his interpretation of Albéniz and Falla, of which he has made prestigious recordings for the Swedish label BIS.

 


 

 


 

Session 3:

CHCC... Poems

Thursday, 28 October 2021, 19h.
Classroom 2

Ticket with invitation.
Pre-reserve your invitation and pick it up at the box office up to half an hour before the event.

 

Meeting with the artist and choreographer Aïda Colmenero, who brings us closer to the creative processes of Ella Poema, from which the piece 2 de noviembre. El quitador de miedos, which will premiere on October 30 at the Museum.

Ella Poema is a project inspired by poems written by women that, since 2013, is positioning women creators from more than a dozen African countries as artistic references on the international scene. So far, Ella Poema has produced 20 short dance films, 6 contemporary dance pieces and several photographic series. The creators of Ella Poema are pioneers who start from their particular geographical, cultural and personal context in creative processes that transform a literary score into corporal and audiovisual language. From their immediate daily environment, their heritage and their own creative impulse, Ella Poema achieves universal messages that question stereotypes about black-African female bodies and transgress narrative forms to offer a unique artistic manifestation.

The short films will be screened:

Abismo | ella togo trailer
Inspired by the poem by Iosune de Goñi (Spain)

Trayectoria del polvo VII | ella tanzania trailer
Inspired by the poem by Rosario Castellanos 

Light scar | she cape green trailer
Inspired by texts on gender violence (Cape Verde)

 

Aïda Colmenero Dïaz


Actress, choreographer and dancer, Colmenero trained at l'École des Sables de Germaine Acogny and is the only Spanish-speaking artist in the world certified to transmit the Acogny technique.

He has a long trajectory in the performing arts in the African continent and its diaspora. He has lived there for a decade and developed several projects. 

Download here the program with the poems that serve as inspiration for the short films to be screened.