Artificial infinity. Fernando Maselli

In his series Infinito artificial, photographer Fernando Maselli (Buenos Aires, 1978) reflects on the aesthetic concept of the sublime, and does so through images of mountain landscapes still virgin, untrodden by man. In a concept linked to the theories of Burke and Kant about the sensible and the spiritual, which goes beyond the beautiful, his landscapes connect with the whole artistic tradition that subordinated man to the immensity of nature. His photographs convey a sense of infinity, artificially achieved through montages with the repetition of elements that recreate an idyllic landscape, but invented, in which grandiloquent views predominate, facing the majesty of nature.