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Back to 2022_10_19_MUN_InauguracionJorgeRibalta

The MUN opens the retrospective "Todo es verdad. Fictions and documents (2020-1987)", a journey through Jorge Ribalta's career, from illusionist to documentary photography.

Co-produced with the Mapfre Foundation, the exhibition explores the disruptions and continuities of an artistic biography of great originality through 14 series.

19 | 10 | 2022

The exhibition Everything is true. Fictions and documents (1987-2020), which has opened on Museo Universidad de NavarraThe exhibition, proposes a 'total' journey through the singular artistic career of Jorge Ribalta (Barcelona, 1963). After his stay at the Mapfre Foundation, in Madrid, co-producer of the exhibition, it acquires a new significance in the halls of the MUN. It also includes Scramblingthe work the author made at the Alhambra in Granada for the Museum's artistic residency project. Tender Puentes residency project.

"The spectator will find a great variety of photographic registers, from images built on emulsioned canvas to some in color -black and white predominates-. They are works of fictionalized or theatricalized photography until reaching the current work, with a discourse on the document, to finish with a part in which the documentary is mixed with the theatrical", explains the artist. In his presentation to the media, he was accompanied by Valentín Roma, curator of the exhibition, and Valentín Vallhonrat, artistic director of the Museum together with Rafael Levenfeld.

ILLUSIONISM AND DOCUMENTARY

The retrospective, which follows a chronological order, gathers the artistic biography of a profoundly original author, who has dedicated a good part of his professional career to artistic practice in the field of photography, curatorship, cultural management, criticism, research and publishing. The journey begins in 1987 and reaches a turning point in 2005: the passage from an illusionist photography, which poetically explores naturalism, to one that addresses the reinvention of documentary photography and reaches the present.

The change in his work, the move to a more documentary tradition, came after the Forum of Cultures, held in Barcelona in 2004. "This event has marked the urban history of the city. I try to represent the passage from an industrial city to the post-industrial one. It is the element that triggers issues that will come later, such as the study of the cultural field, the passage from one economic model to another."

In the artist's words, the exhibition has meant "a reconciliation" with his previous work, "being faithful" to his current position, and an opportunity to "problematize these easy oppositions between fiction and non-fiction. Documentary is also a form of fiction and fiction is a way of representing the era. There are two antagonistic traditions, but it is more complex than we might think." The title, a tribute to curator and editor Julián Rodríguez, is inspired by Orson Welles ' well-known and unfinished documentaryIt's All True (1941-1943): "At a time when people are talking about photography being dead, about post-truth and post-photography, it is about defending that the great contribution of photography in modernity is the principle of reality. And, today more than ever, in the current context that calls it into question, the task is precisely to preserve it".

TENDER PUENTES

The exhibition includes the Scrambling series, his participation in the curatorial project Tender Puentes. Ribalta was especially inspired by a work by Charles Clifford, from the MUN Collection, chosen by Roland Barthes in his famous book La Camera Lucida.

"The series, which is based on some of Clifford's photographs taken in the Alhambra on a trip the photographer made in the 1960s, tries to show how the monument works. He considers that it is not something that survives from the past but as a factory in which all the elements that integrate it intervene: security, conservation, maintenance, exploitation... The work tries to make that operation visible and is made, precisely, when the hydraulic system of the Patio de los Leones was restored in 2011. It works as a metaphor, as if the monument were on a dissection table, with its belly open, and we can see what it has inside," says the author.

The exhibition, which brings together more than 600 photographs, a piece consisting of four projections and three showcases with documents and other materials, such as the original photographs by Clifford belonging to the MUN and which served as inspiration for Scrambling, not only represents a journey through Ribalta's photographic work, but also reflects the pulse of the era in which each work is inscribed.

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